North House Folk School Workshop


North House Folk School © Bryan Hansel

Learn How To Make a Clamshell Box

It’s a ways away yet, but I’ll be teaching my first class at North House Folk School in beautiful Grand Marais, Minnesota, right on the shore of Lake Superior, next year in May. It’s an introductory class in making clamshell boxes, whether for a portfolio of photographs, drawings, etchings, books, or anything you may want to keep safe.

You’ll learn how to accurately measure, cut materials, and build your own clamshell case to take home. All materials will be supplied and pre-cut to size prior to the start of class but we’ll discuss recommended equipment, choice of book cloths, papers, and the different adhesives and their uses for those who wish to continue constructing cases on their own time. No previous experience is necessary and all tools will be provided.

I’ll be there with Beth, who will be teaching a 3-day hand-sewn leather tool bag class. Visit Fieldwork Goods to see the beautiful leather bags, wallets and other items she makes, all hand-sewn (no machines) the traditional way, with two needles and linen thread.

Memorial Day Weekend

This class falls on the Memorial Day Weekend, which means the area hotels and B&Bs will be busy, so if you’re thinking of signing up for the class, plan ahead and book early!

Dates and Registration

Saturday May 27th and Sunday May 28th, 2023
9am – 5pm
Class information and registration.

Links

More information about the school, how to get there, what to expect, where to stay, and much more can be found on the North House website.

The Shop is Online!

I have a new and improved shop that’s now online! Here, you can, or will be able to, purchase aquatint screens for the polymergravure process as well as small, special print editions.

What I’m really excited about is the small range of ready-made portfolio boxes that I’m going to start offering. These I’ll make in standard print sizes but without any stamping or customisation. For this reason they’ll be priced lower than my custom-made boxes but they will be one-offs, so once a box is sold, that’s it, it’s gone. So if you see one you like, don’t hesitate! As time goes on I’ll keep adding to the number available.

www.keithtaylor.shop

   

The Great Plains Project

I’m currently in the middle of a great project for a local artist, Peter Latner, (a photographer who still works with medium and large format film) as part of his Minnesota State Arts Board Artist Initiative Grant that he received.

 

The project will involve an small edition of clamshell cases that each hold 58 gelatin-silver prints hand-printed by Peter, which are stunningly beautiful. I’m debossing 4-ply Museum board and dry-mounting the prints into the resulting plate mark. There will also be a title page, statement and colophon. Once I’ve mounted the prints and printed the text sheets I’ll have a better idea of the exact depth required, then I can start making the cases. That number of mounted prints will result in a nice, substantial case that’s about 4.5” deep. I’m going to try and post more images of the production as we progress over the next few weeks!

 

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Just a small section of 300 sheets of Museum board.

 

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A stack of prints ready for dry-mounting.

 

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Detail of the debossing with space for numbering.

 

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It’s a start…

 

LUMENS

This is clamshell case I recently made with artist Lisa Nebenzahl. Besides needing a case to present both her prints and 3D constructions, Lisa wanted to learn the craft of making boxes and cases, so we worked on the project together. The case measures 13.5 x 19.5 x 4” with a removable set of dividers and a panel to separate the prints. It’s finished in Cadet Blue Japanese bookcloth with matte gold foil stamping.

More information and pricing can be found on my studio website — www.keithtaylorstudio.com

 

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The Ese’ Eja People of the Amazon

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Daguerrotype image © Andrew Bale

 

I’ve just finished making several clamshell cases for Professor Andrew Bale at Dickinson College in Carlisle, Pennsylvania.

 

Each of the cases holds a framed Daguerrotype in the base and a small portfolio of platinum-palladium prints on Japanese Kozo paper (both made by Andy Bale) on top. The images are of the Ese’ Eja Nation, an indigenous people living in the Amazonian region of Peru.

 

Andrew Bale journeyed to Peru’s remote jungles to capture images for a National Geographic-funded project to map the Ese’Eja’s culture.

 

The project, staffed by videographers, photographers, anthropologists and botanists, aims to enable Ese’Eja society to reclaim ancestral lands from the Peruvian government. That achievement would allow a people that derives so much of its economy and spirituality from the forest to sustain their livelihood into the future.

 

Bale’s portraits of daily life, handmade objects and individuals will be featured in an upcoming book sponsored by National Geographic’s Genographic Legacy Fund. Sales of the book support initiatives for better access to health care, education and legal grappling to secure the Ese’Eja’s ancestral lands.

 

— Dickinson College, Capturing Culture.

 

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